The Renaissance stimulated rising interest in Antiquity, and brought back into circulation classical authors such as Herodotus. As a result, once again people became interested in the Egyptian labyrinth. The scholar Athanasius Kircher (1602-1680 CE) produced one of the first pictorial reconstructions, mainly based on the account in Herodotus. At the centre of his architecture drawing, Kircher placed a maze, most likely to have been inspired by Roman labyrinth mosaics, and surrounded it with the twelve courts described by Herodotus (Kern 1995 : fig. 63).
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